Final Portrait


Biography / Comedy / Drama

Rotten Tomatoes Critics - Certified Fresh 78%
Rotten Tomatoes Audience - Upright 93%
IMDb Rating 6.3 10 1427


Uploaded By: FREEMAN
Downloaded 51,005 times
February 14, 2018 at 06:47 PM



Armie Hammer as James Lord
Geoffrey Rush as Alberto Giacometti
Clémence Poésy as Caroline
Tony Shalhoub as Diego Giacometti
720p.WEB 1080p.WEB
646.26 MB
23.976 fps
1hr 30 min
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1.36 GB
23.976 fps
1hr 30 min
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Movie Reviews

Reviewed by phd_travel 6 / 10

Interesting for artists but not a lot of story

Luckily this movie isn't that long because there isn't that much story. But nevertheless it's interesting for a look a the creative process of one of the most famous sculptors in the world. This isn't a sweeping biopic of the artist's life just a segment.

Geoffrey Rush is effective as the sculptor trying to paint a painting and starting over and over again. His subject is an art critic played by Armie Hammer who looks elegant as he poses in his suits. Clemence Poesy plays a prostitute mistress of Giacometti.

Worth a watch if you are interested in Giacometti.

Reviewed by vladimir-janic 8 / 10

Not for everyone

Loved the film, it is definitely not for everyone, as an art student it was rather interesting to see an artists process of making a painting. The film itself is rather small, it is centred around one particular event. The acting is great. I would recommend it to artists and people who are interested in creative process of making an artwork.

Reviewed by Diand 5 / 10


Swiss-born painter and sculptor Alberto Giacometti was obsessed with the human head and incorporated both surrealism and cubism in his works. Being a perfectionist, he was continuously reworking his own sculptures and paintings, sometimes even destroying them if he was not satisfied with the direction the work was going. This working style is in sharp contrast with the film director's style here: Focusing on Giacometti's portrait of New Yorker James Lord this turns out to be an over clichéd Hollywood version of an art movie. Too neat, too clean, too cautious and basically just painting by numbers. Not only is the storyline very thin, there are only a few moments of inventive storytelling, for example how the adultery is introduced from both angles or how a dinner with Giacometti and his partner with Lord ends.

It all lacks directorial vision and the script is weak, lacking focus and inventiveness. That the basic setup for a movie like this (artist-model) can be interesting was proved some time ago by Rivette in La Belle Noiseuse. The chosen angle here is not that relevant and the movie could have been more interesting by providing tension and character depth, or by focusing on other aspects of Giacometti's life: His connections to Miró, Ernst, or Picasso (the latter only shortly touched upon in a conversation in Père-Lachaise cemetery), his background, or his first unfinished project in New York for Chase Manhattan.

Is it all that bad? As an actor directing here there is one saving grace: The acting. Especially Geoffrey Rush's interpretation of Giacometti is remarkable and Oscar-worthy.

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